“Made in Bangladesh”, a new film offering a glimpse into the lives of garment workers in Bangladesh is based on the life of Daliya Akter, a garment worker who escaped child marriage and went on to lead a trade union fighting for workers’ rights in the capital Dhaka.
The film is challenging stereotypes about women by showing them driving the economy and fighting for justice in factories.
Akter’s story – securing pay for her co-workers despite a concerned husband and threats from her bosses – puts a rare spotlight on female triumph over adversity in conservative Bangladesh, the world’s second-largest garment exporter.
Nearly 80% of the 4 million people working in the sector that produces clothes for companies including H&M and NEXT are women who work long hours for minimal pay.
Still, stereotypes of women workers as passive and powerless persist.
“There is a narrative that garment workers are always oppressed. But while working on the film I realised that these women fight back strongly and are empowered,” director Rubaiyat Hossain told the Thomson Reuters Foundation by phone.
“These workers… need to be heard. It is because of them that our economy is improving and we have to acknowledge them.”
Bangladesh’s apparel industry has come under pressure to improve factory conditions and workers’ rights, particularly after the collapse of Rana Plaza complex in Bangladesh more than six years ago, when 1,136 garment workers were killed.
The disaster led to more factory inspections, the closing down of dozens of factories deemed unsafe, and government labour reforms.
But low wages and a declining number of female union leaders remain key challenges.
‘Made in Bangladesh’ premiered in the United States on Dec.6 and Akter, who is played by actor Rikita Shimu, said she hopes the film will encourage garment workers to speak up when it screens in Bangladesh next year.
“There are a lot more unions today than in 2013 but there still are workers who are afraid to voice their concerns and the film will help them,” said Akter. (Source: Thomson Reuters Foundation)